It’s not every day that a new recording is unearthed featuring The Allman Brothers Band with Duane Allman, but that’s exactly what we have here. Recorded on the 9th July 1970 at S.U.N.Y. at Stony Brook in New York, it really is a remarkable sounding recording given how much time has passed since it was made. For the full history of the recording and how it was made and since released, head here. What follows below is my take and thoughts on the recording itself in the form of a BOOTLEG SERIES article.
1969 saw the release of one of the most underrated blues/rock albums of all time, the self-titled debut from The Allman Brothers Band. It would take the release of their 1971 live album At Fillmore East for the band to get the recognition they deserved but their debut effort contains some fantastic music.
As a whole I think I tend to listen to more live recordings than I do studio albums, especially from the late 60’s and early 70’s. That period for me is second to none when it comes to live music. The places bands took music, including those listed below, have never been reached since in my opinion. At least not the same extent. So, the following are my top five live albums of all time. Enjoy.
When starting this piece on my top five favourite albums from the 1970’s I didn’t think it would be as difficult as it turned out to be. Three of the albums were a sure lock from the very beginning, the first three you’ll see below, but the last two needed some extra thinking.
Released in 1974 after the huge commercial success of Brothers and Sisters by The Allman Brothers Band a year earlier, Highway Call was Dickey Betts’ first solo album which saw his sound and songwriting develop even more. In many ways it can be considered more of a natural successor musically than the somewhat disappointing Win, Lose or Draw album the Allman’s recorded a year later in 1975.
Recorded in 1972 and released a year later in 1973, Brothers And Sisters saw The Allman Brothers Band forced to evolve again due to the tragic death of bassist Berry Oakley. Just like 1972’s Eat A Peach, the album was recorded before and after the death of a key member but the band decided to carry on and hire a new bassist in Lamar Williams. The result, Brothers And Sisters, is an incredible album which may well be their landmark studio recording.