BOOTLEG SERIES #19: The Allman Brothers Band – S.U.N.Y at Stony Brook, Stony Brook, NY, USA // 9th July 1970

It’s not every day that a new recording is unearthed featuring The Allman Brothers Band with Duane Allman, but that’s exactly what we have here. Recorded on the 9th July 1970 at S.U.N.Y. at Stony Brook in New York, it really is a remarkable sounding recording given how much time has passed since it was made. For the full history of the recording and how it was made and since released, head here. What follows below is my take and thoughts on the recording itself in the form of a BOOTLEG SERIES article.

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CLASSIC ALBUM SERIES #11: Cream – Fresh Cream

fresh-cream-4f7bebff487b750 years ago today (9th December 1966), Cream released their debut album Fresh Cream. It may not be their most accomplished album but in my eyes it’s still a landmark album that defined a new era of blues music. Unlike their later albums, Fresh Cream doesn’t include any songs that would define a generation but what we have is a superb blues record, blended with aspects of rock which equals one of the best albums form the mid-60’s.

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CLASSIC ALBUM SERIES #9: Peter Green – The End Of The Game

green-peter_new1Released in December 1970, Peter Green’s debut solo album after leaving Fleetwood Mac can be considered a complete mess or a musical masterpiece. On first listen the album appears to be a collection of noises randomly sewn together to form an album but in reality The End Of The Game gives you an insight into Green’s mental state at this point in his life. The result is an explosive yet underrated album that certainly deserves more attention than it receives.

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BOOTLEG SERIES #18: Stevie Ray Vaughan & Double Trouble – Chicago Blues Festival, Chicago, IL, USA // 7th June 1985

Stevie Ray Vaughan was a one of a kind, a blues king for a new generation of blues lovers around the world. Even though he passed away 26 years ago in 1990 we’re blessed to still have his studio albums, live albums and the countless bootlegs from so many shows he played during his career. Live bootlegs for someone as great as Stevie Ray Vaughan are essential listening, and this one recorded at Chicago Blues Festival in 1985 is no different.
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