BOOTLEG SERIES #21: Jack Bruce & Friends – Fillmore East, New York, NY, USA // 31st January 1970

Jack Bruce has long been one of my all time favourite bassists due to his work with Cream but I’m ashamed to say that aside from his 1969 solo album Songs For A Tailor, I’m not overly familiar with the rest of his solo career. However that changed after hearing this excellent recording of a show he played at Fillmore East in New York with Jack Bruce & Friends, which includes Mitch Mitchell on drums, Larry Coryell on guitar and Mike Mandell on organ. The band only played seventeen dates together between the 24th January and 1st March 1970 and sadly there are less than a handful of live recordings of them. Thankfully, however, this late show recording from the 31st January is one of them.

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ALBUM REVIEW: Chuck Berry – Chuck

album_art-1Chuck Berry passed away on the 18th March of this year and his final gift to the world was a new album, released on the 9th June. It had been 38 years since his previous album Rock It was released in 1979 with Berry focusing more on live work since then, so when news broke before his passing that he was working on a new album I was ecstatic.

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CLASSIC ALBUM SERIES #19: The Rolling Stones – Let It Bleed

let-it-bleed-53f4b0f4ad525Released six months after the death of founding member Brian Jones, Let It Bleed saw The Rolling Stones evolve musically and set the foundation for their next four albums with replacement guitarist Mick Taylor. He only features on two of the songs on Let It Bleed but their sound over the next six years would change drastically compared to what came before and it all started with this legendary album.

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CLASSIC ALBUM SERIES #18: Led Zeppelin – Led Zeppelin IV

led-zeppelin-iv-53d7c2dc62c11In 18th installments of my CLASSIC ALBUM SERIES I’m yet to cover a Led Zeppelin album, but that changes now with the incredible Led Zeppelin IV. Released in 1971, their fourth album is my favourite of theirs and features eight incredible songs. Every album after this in my opinion struggled to match the greatness of the songs on this album, aside from perhaps Physical Graffiti. But there’s no doubt when I say this one album contained their best work, their most consistent songs and their most focused and driven playing.

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