As a guitarist myself I’m often thinking about my favourite guitarists and how my ranking seems to change depending on what kind of mood I’m in. I thought it’d be fun to put a top 10 list together. Remember, the key word here is favourite. Enjoy.
For the 15th instalment of my CLASSIC ALBUM SERIES I turn to Eric Clapton’s incredible 1994 album From The Cradle, an album which saw him return to electric blues with one hell of a bang. Two years earlier Clapton had recorded and released his Unplugged live album which contained a number of high quality acoustic blues performances and From The Cradle certainly expanded on his return to the blues.
Released on the 23rd April 1971, Sticky Fingers was the first album by The Rolling Stones to fully feature new guitarist Mick Taylor, who had been brought in to replace Brian Jones two years earlier. The album also signalled a change in musical direction of which would continue throughout Taylor’s tenure, ending with 1975’s It’s Only Rock ‘n Roll. The music the band made during this time is widely seen as their best and even though Let It Bleed contained some great music, it is, in my opinion, Sticky Fingers that fully cemented their new sound.
There are often a number of albums per decade which have continued to stand the test of time decades since release, and Texas Flood by Stevie Ray Vaughan and Double Trouble is definitely one of them from the 80’s. It’s also one of the finest debut albums by anyone and really injected the blues with a much needed adrenaline shot, bringing the genre back to the ears of millions.
For the 20th instalment of my BOOTLEG SERIES I return to one of my favourite bands of all time, Cream, a band who have been the focus of four previous instalments in this series. This show at New Haven Arena in New Havan, CT from the 11th October 1968 is one of the farewell shows the band played on their last tour of the United States and unlike many recordings from this tour, the band appear to be just getting through the show. That said there are countless great moments on each song and they’re enjoyable to listen to.
It’s not every day that a new recording is unearthed featuring The Allman Brothers Band with Duane Allman, but that’s exactly what we have here. Recorded on the 9th July 1970 at S.U.N.Y. at Stony Brook in New York, it really is a remarkable sounding recording given how much time has passed since it was made. For the full history of the recording and how it was made and since released, head here. What follows below is my take and thoughts on the recording itself in the form of a BOOTLEG SERIES article.